Creates a single disk file that is a summed mono mix of the current sources being monitored.
Before bouncing to disk, make sure your levels are below –3 dB to avoid clipping that occurs when left and right signals exceed –3 dB below maximum, or full code (0 dBFS).
Creates multiple mono files with the same number of channels as the source path.
Creates a single, interleaved file that contains all of the bounced streams from the chosen output path. In an interleaved stereo bounce, tracks assigned to odd-numbered outputs are sent to the left channel, and tracks assigned to even-numbered outputs are sent to the right channel.
Pro Tools also lets you bounce multichannel interleaved files of any supported multichannel file type (such as 5.1). This can simplify file management of mixes and projects for backup and archiving.